A big reason that the AI hype machine has been in overdrive, issuing apocalyptic claims about its vast power, is that the companies selling the tools want to make it all feel inevitable — to feel like the future — and have you believe that resisting it is both futile and stupid. Conveniently, most of these discussions eschew questions such as: Whose future? Whose future does AI really serve?
The answer to that is “Big Tech” and, to a lesser degree, “your boss.”
Matt Nicholas, a 30-year-old writer and WGA member, who was all too aware exactly how AI was going to be used by the film and television industry — not to replace writers, but to undermine them.
Too many executives in too many industries, such as entertainment, tech and journalism, recognize generative AI for what it is: an opportunity to wield leverage over already precarious workforces. There’s going to be a long, hard struggle, but it’s one worth fighting.
I don’t have music in any of these libraries, so this is not about Envato specifically, it applies to all of them.
I would suggest to opt-out even though I am very well aware that of course it will not stop these type. of companies (or any for that matter) from implementing AI-driven content and catalogs.
But we don’t have to make it too easy for them.
“Composers/musicians using the website @AudioJungle by @envato to sell royalty free music – Envato have ‘updated’ – their T&C’s to **now have AI train on your items that you have authored and uploaded** You are opted in AUTOMATICALLY. Additionally, your items will now be licensed “in perpetuity” becuase an AI cannot ‘forget’ what it has learned. There is no mention of any profit share for authors from AI works derived from authors’ compositions. If you don’t want your items to be trained by AI, you need to remove them from the marketplace by June 1st. There is (currently) no opt-out available. While I appreciate AI is inevitable and some people will be embracing this, the immediacy with which @envato has gone about it while seemingly going against some of their core values is striking. I can’t believe they didn’t give authors a choice, and have only given 20 days notice to find an alternative. For those who might be dependent on income from the site, it puts them in a massive quandary, especially with the lack of time to find an alternate solution. It’s frankly shameful behavior. I’ve had an author account there since 2009 – which I will now remove. It kept me afloat during my early years in the industry. I also reviewed items on the site. This policy change and sudden implementation is disgraceful, and I’m now sorry to have been associated with @audiojungle and @envato in any way.”
The trailer is out now and we were added to IMDB so we can finally talk about what we worked on for almost 2 years.
It was a wild ride and one of the best experiences I’ve had professionally: watching Johnny Klimek + Tom Tykwer write and produce the music, several orchestra recording sessions at Abbey Road WAAAAAAHHH, one of those was before Covid-19 so I could actually be there in the studio at the session – double WAAAAAAHHH ), following the editorial and sitting with Lana Wachowski to put music to the pictures.
I’m extremely grateful for this experience.
Watching the trailer with a lot of VFX that I hadn’t seen during the editing process was very exciting. And I can honestly say: you ain’t seen nothin’ yet… 🙂
Mark your calendars, it will hit the theatres on Dec 22nd
Working on Babylon Berlin was one of the best experiences in my professional life and Tom Tykwer really is wildly creative mind with an extremely sharp focus on drama. I’m so thankful to be a part of this.
Anyway, on Oct 1st 2020 season 3 will start, it has a great story arch that I enjoyed even more than the ones in season 1 and 2. Season 1 and 2 are available here until late January 2021!
Damit werde einer Serie Tribut gezollt, die gleichzeitig ein leidenschaftliches filmisches Spektakel und eine präzise Darstellung der politischen und gesellschaftlichen Realitäten im Berlin der 1920er Jahre ist, teilte die EFA mit.
Last year Johnny and I started writing the first suites for Jett, a series about a female thief trying to make it in an ever more hostile underworld. It was great fun and we wrote some interesting, fresh, funky and quirky music for it that I’m really proud of. Hopefully we will soon get to post some of that music as well. The music in the trailer is not ours as is the case with trailers most of the time.
Anyway, I’m very excited and the series premieres on June 14th already, so get your first screens ready and don’t bother to lock your doors, because Jett will get in.
Putting the music to the episodes was a delight, especially because both Sebastian Gutierrez (the show creator and director) and editor Matt Mayer where very clear and precise in their ideas and communication about the music, which can sometimes be a very tricky thing to put into words.
Aus der (einstimmigen) Begründung der Jury der Deutschen Film- und Medienbewertung (FBW):
Auch die treffsicheren Dialoge, eine exzellente Musikauswahl und die souveräne Kameraarbeit tragen dazu bei, dass DIESES BESCHEUERTE HERZ sich seinen Platz in der Zuschauergunst wird erobern können – und das völlig zurecht.
Als ich bei zwei der Drehtage dabei sein durfte, war ich völlig überwältigt von der Logistik und von den vielen vielen Menschen, die alle dazu beitragen, dass so ein Film überhaupt entsteht. Es war wirklich der Wahnsinn und ein Erlebnis, das ich nicht vergessen werde!
Ab dem 29.09. wird Berlin zur Serienhauptstadt! Zahlreiche Serien erwarten euch auf dem Serienale-Festival an einzigartigen Orten!
Doch wir werfen auch einen Blick hinter die Kulissen! In einem spannenden Panel wird sich mit der Bedeutung der Musik für Serien auseinander gesetzt! Die Serienmusik-Komponisten Hans Hafner, Reinhold Heil, Stefan Maria Schneider & Moritz Denis sprechen über Anforderungen in der Serienmusik und welche ästhetischen Aspekte man im Blick behalten sollte!
Los geht’s am 30.09. um 10:00 Uhr im Kulturkaufhaus Dussmann!
Tickets (kostenlos) für das Panel gibt es direkt auf der Serienale-Page