{"id":5455,"date":"2016-02-03T15:30:40","date_gmt":"2016-02-03T13:30:40","guid":{"rendered":"http:\/\/www.hanshafner.de\/blog\/?p=5455"},"modified":"2016-01-31T12:32:03","modified_gmt":"2016-01-31T10:32:03","slug":"animated-infographic-of-the-film-market-sundance","status":"publish","type":"post","link":"https:\/\/www.hanshafner.de\/blog\/2016\/02\/03\/animated-infographic-of-the-film-market-sundance\/","title":{"rendered":"Animated Infographic of the Film Market &#8211; Sundance"},"content":{"rendered":"<p>Regarding the section on piracy in the <a href=\"http:\/\/www.culturalweekly.com\/sundance-animated-infographic-2016\/\">Animated Infographic\u00a0article<\/a> on Cultural Weekly:<\/p>\n<p>I\u00a0know all the wrong arguments surround piracy and how and why they are wrong and specious.<\/p>\n<p>Except one argument: the one about being able to access the films at all.<\/p>\n<p>If there was a simple way of paying to view current films that aren&#8217;t being released in my country at all (and a lot of what is being shown at Sundance falls into that category), I would take it. And I can not imagine, that removing the theaters, distributors and marketing from the cost side, that it would be more than 3 to 5 bucks to view the film at home.<\/p>\n<p>As an industry insider, I would love to be able to at least virtually take part in Sundance, but I understand that this makes the IRL\u00a0cinema world even less financially viable.<\/p>\n<p>Complicated new world indeed.<\/p>\n<p>Source: <em><a href=\"http:\/\/www.culturalweekly.com\/sundance-animated-infographic-2016\/\" target=\"_blank\">Cultural Weekly<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Regarding the section on piracy in the Animated Infographic\u00a0article on Cultural Weekly: I\u00a0know all the wrong arguments surround piracy and how and why they are wrong and specious. Except one argument: the one about being able to access the films at all. If there was a simple way of paying to view current films that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[32,48],"class_list":["post-5455","post","type-post","status-publish","format-standard","hentry","category-blog-2","tag-business","tag-filmmaking"],"_links":{"self":[{"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/posts\/5455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/comments?post=5455"}],"version-history":[{"count":2,"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/posts\/5455\/revisions"}],"predecessor-version":[{"id":5457,"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/posts\/5455\/revisions\/5457"}],"wp:attachment":[{"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/media?parent=5455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/categories?post=5455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hanshafner.de\/blog\/wp-json\/wp\/v2\/tags?post=5455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}